Installation view, Kunsthalle Lissabon, Lisbon. Photograph by Bruno Lopes.   

Installation view, Kunsthalle Lissabon, Lisbon. Photograph by Bruno Lopes.   

Installation view, Kunsthalle Lissabon, Lisbon. Photograph by Bruno Lopes.   

Installation view, Kunsthalle Lissabon, Lisbon. Photograph by Bruno Lopes.   

Installation view, Kunsthalle Lissabon, Lisbon. Photograph by Bruno Lopes.   

Installation view, Kunsthalle Lissabon, Lisbon. Photograph by Bruno Lopes.   

Afterimage 3, 4 & 5
(2016)

Materials: screenprint on acrylic.


How Things Appear, after Carlo Scarpa
(2016)

Materials: jotoba wood, painted steel, brass, acrylic.

These works are conceived as portals, boundaries or thresholds; acting simultaneously as obstacle and point of access. They present and problematise what can be perceived as very simple, or even banal spatial devices, which in fact establish binary systems of visibility operating through the logic of inclusion and exclusion, of hiding and revealing, of granting and refusing access, dividing space and time.